Biography
Dr Melanie Hayes Post-doctoral Research Fellow, European Research Council Advanced Grant project, STONE-WORK
I am an architectural historian, focusing largely on eighteenth-century architectural and craft history, with a specific interest in the transmission, reception and production of architecture and craftsmanship in Britain and Ireland. I am particularly concerned with the people who populate this building history, and the interdependence between the range of agents responsible for bringing these works into being. While investigative documentary research is central to my approach, there is a strong material dimension to my work, which seeks to relate the tangle evidence of a building"s fabric to the often intangible or tacit processes involved in its making. My recent research has explored the collaborative nature of work practice within the eighteenth-century building industry, contributing to a burgeoning new direction in the study of architectural labour and agency in the period.
My role as an Irish Research Council Advanced Laureate Project Fellow on CRAFTVALUE (2019"2023) adopted a wide-ranging and rigorously investigative approach in seeking to challenge the traditional focus on the individual designer and patron to create a new skills-based perspective on the architecture of Britain and Ireland in the long eighteenth century. https://craftvalue.org/research-team/
I currently work as a post-doctoral research fellow on the European Research Council Advanced Grant project, STONE-WORK at Trinity College Dublin, which seeks to reassess the history of architecture in Britain and Ireland through the lens of material " stone " and making, focuses on retrieval of the craft processes and techniques which produced the finished stone surfaces of classical architecture in the eighteenth century.
Recent publications include: Between Design and Making: Architecture and craftsmanship 1630"1760. Edited by Andrew Tierney and Melanie Hayes, foreword by Christine Casey. London: UCL Press, July 2024. Open Access PDF, 368 Pages, 162 colour illustrations. ISBN: 9781800086944 DOI: 10.14324/111.9781800086937 Free open access download https://www.uclpress.co.uk/products/238837
Enriching Architecture: Craft and its conservation in Anglo-Irish building production, 1660"1760. Edited by Christine Casey and Melanie Hayes, foreword by Glenn Adamson. UCL Press, 2023. Open Access PDF, 396 Pages, 247 colour illustrations. ISBN: 9781800083547 DOI: 10.14324/111.9781800083547 Free open access download: www.uclpress.co.uk/EnrichingArchitecture
Press & Media
Featured in a series of videos that takes a look at some of the key historical research, conservation and restoration work that went in to creating 14 Henrietta Street14 Henrietta Street: Making a Museum Meeting- meet the authors, Dr Melanie Hayes, eps. 1- 6 https://www.youtube.com/watch?v=LFluM2wFYjA https://www.youtube.com/watch?v=v9pjm4mwA9Q&t=7s https://www.youtube.com/watch?v=rLFP3iLxXTw&t=4s https://www.youtube.com/watch?v=qedwfjC8dWQ&t=14s https://www.youtube.com/watch?v=3T5wivHNE7g https://www.youtube.com/watch?v=MfXZFkU4KkA https://www.youtube.com/watch?v=YywZWctNkPY&t=2s
Featured in Olivia Kelly, 'Lipstick on a pig? Why Dublin has failed to pretty-up O'Connell Street' The Irish Times, 5th May. 2019. https://www.irishtimes.com/news/environment/lipstick-on-a-pig-why-dublin-has-failed-to-pretty-up-o-connell-street-1.3881825
Featured in Olivia Kelly, 'Last Georgian house on Dublin's O'Connell Street is at risk from neglect' The Irish Times, 7th Feb. 2019. https://www.irishtimes.com/news/social-affairs/last-georgian-house-on-dublin-s-o-connell-street-is-at-risk-from-neglect-1.3784304
Featured in 'Henrietta Street museum', RTE Nationwide, RTE One, 7pm, October 13, 2017. https://twitter.com/rtenationwide/status/918775837813551105?lang=en
Publications and Further Research Outputs
Peer-Reviewed Publications
Melanie Hayes, Crafted legacies: artisanal wills in early Georgian Britain, 1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era, 30, 2024
Architects and artificers: building management at Trinity College Dublin in the 1730s and 1740s in, editor(s)Andrew Tierney and Melanie Hayes , Between Design and Making: Architecture and craftsmanship 1630-1760, London, University College London Press, 2024, pp119 - 152, [Melanie Hayes]
Melanie Hayes, Review of The Language of Architectural Classicism: From Looking to Seeing, by Edward McParland , Irish Arts Review, Summer, 2024, p116-117
Andrew Tierney and Melanie Hayes (eds.), Between Design and Making: Architecture and craftsmanship 1630-1760, London, University College London Press, 2024, 368pp
Melanie Hayes, Book Review, Review of The Early Residential Buildings of Trinity College Dublin: Architecture, Financing, People, by Andrew Somerville , The Burlington Magazine, 165, 2023, p110-112
Retrieving craft practice on the early eighteenth-century building site in, editor(s)Christine Casey and Melanie Hayes , Enriching Architecture: Craft and its conservation in Anglo-Irish building production, 1660-1760, London, UCL Press, 2023, pp160 - 196, [Melanie Hayes]
Enriching Architecture in, editor(s)Christine Casey & Melanie Hayes , Enriching Architecture: craft and its conservation in Anglo-Irish building production 1660-1760, London, 2023, pp1 - 13, [Christine Casey & Melanie Hayes]
Christine Casey and Melanie Hayes, Enriching Architecture: Craft and its conservation in Anglo-Irish building production, 1660-1760, London, UCL Press, 2023, vii - 362pp
Melanie Hayes, The Irish in early Georgian London: living `out of the world there'?, The Georgian Group Journal , XXXI, 2023, p11 - 24
Fashioning, fit-out and functionality in the aristocratic town house in, editor(s)Conor Lucey , House and Home in Georgian Ireland: Space and Cultures of Domestic Life, Dublin, Four Courts Press, 2022, pp65 - 84, [Melanie Hayes]
Melanie Hayes, 14 Henrietta Street: Georgian Beginnings, 1750-1800, Dublin, Dublin City Council Culture Company, 2021, 95ppp
Melanie Hayes, An Irish Palladian in England, the case of Sir Edward Lovett Pearce, The Georgian Group Journal , XXIX , 2021, p41 - 66
Melanie Hayes, The Best Address in Town: Henrietta Street, Dublin and its first residents (1720-1780), Dublin, Four Courts Press, 2020, 312 pppp
Melanie Hayes, Review of Living Legacies: Ireland's National Historic Properties in the care of the OPW, by Myles Campbell & William Derham , Irish Arts Review, Summer (June-August), 2018
Melanie Hayes, Sir Gustavus Hume (1677-1731): courtly connections and architectural connoisseurship in the early eighteenth century, Irish Architectural and Decorative Studies, XIX, 2017, p36 - 53
Melanie Hayes, The Son he never had: Zeus' parthenogenetic creation of a surrogate son?, The Undergraduate Journal of Ireland and Northern Ireland,, I, 2010, p159 - 166
Non-Peer-Reviewed Publications
Melanie Hayes and Andrew Tierney, Constructing Classicism: the Printing House at Trinity College Dublin, Designing Urban Universities, Trinity College Dublin, 2023, 2023
Melanie Hayes, `Crafted Legacies: Artisans: Wills in Early Georgian' The Eighteenth-Century Last Will and Testament Britain', American Society for Eighteenth-Century Studies 2022 Annual Meeting, Baltimore, USA, 2022
Melanie Hayes, Richard Castle and his workshop practice at Trinity College Dublin, Artisans and Architects ( 1660-1760), Trinity College Dublin, 7 & 8 April, 2022
Melanie Hayes, The Machine of Making: craft practice at Powerscourt, Co. Wicklow, CRAFTVALUE: Craftsmanship and its conservation in the architecture of Britain and Ireland (1660-1760), Trinity College Dublin, 30 October 2020, 2020
Melanie Hayes and Andrew Tierney, `Recrafting parliament: a virtual dialogue with a lost interior, Connections-exploring heritage, architecture, cities, art, media, University of Kent; AMPS, 29 June , 2020
CRAFTVALUE, CRAFTVALUE: Craftsmanship and its conservation in the architecture of Britain and Ireland (1660-1760), 30 October 2020, In:CRAFTVALUE: Craftsmanship and its conservation in the architecture of Britain and Ireland (1660-1760), 2020, Trinity College Dublin
Melanie Hayes, Developing Dublin: Building booms and busts: Dublin's architectural heritage in decline?, Trinity and the Changing City, Trinity Long Room Hub, February , 2019, Trinity Long Room Hub
Melanie Hayes, Anglo-Irish cross-currents: connecting architectural contexts in the early 18th century, Lincoln College, Oxford, 3rd June, 2019
Research Expertise
Description
My research focuses largely on eighteenth-century architectural and craft history, with a specific interest in the transmission, reception and production of architecture and craftsmanship in Britain and Ireland. I am particularly concerned with the people who populate this building history, and the interdependence between the range of agents responsible for bringing these works into being. While investigative documentary research is central to my approach, there is a strong material dimension to my work, which seeks to relate the tangle evidence of a building"s fabric to the often intangible or tacit processes involved in its making. My recent research has explored the collaborative nature of work practice within the eighteenth-century building industry, contributing to a burgeoning new direction in the study of architectural labour and agency in the period. My doctoral thesis, `Anglo-Irish architectural exchange in the early eighteenth century: patrons, practitioners and pieds-à-terre (TCD, 2016) http://www.tara.tcd.ie/handle/2262/85198 is a cross-disciplinary contextualisation of inter-relationships between British and Irish architectural culture and practice in the first half of the eighteenth century. My broader research output has continued to build upon this approach, seeking to disseminate wide-ranging inter-disciplinary findings and methodology in both an academic context and at a wider public interface. My work on the research project surrounding the conservation and presentation of the museum at 14 Henrietta Street, Dublin involved collaborative engagement with public bodies and community stakeholders in bringing new research of societal importance to the wider public. This work utilised a range of innovative delivery platforms and dissemination tools including the production of multi-media digital content, public symposia and interactive workshops, and the publication of a significant volume on eighteenth century architectural and social history: The Best Address in Town: Henrietta Street, Dublin and its first residents, 1730"80 (Four Courts Press, 2020). My role as an Irish Research Council Advanced Laureate Project Fellow on CRAFTVALUE (2019"2023) adopted a similar wide-ranging and rigorously investigative approach in seeking to challenge the traditional focus on the individual designer and patron to create a new skills-based perspective on the architecture of Britain and Ireland in the long eighteenth century. https://craftvalue.org/research-team/ My current role as a post-doctoral research fellow on the European Research Council Advanced Grant Project, STONE-WORK (2023"2028), which seeks to reassess the history of architecture in Britain and Ireland through the lens of material " stone " and making, focuses on retrieval of the craft processes and techniques which produced the finished stone surfaces of classical architecture in the eighteenth century.Recognition
Awards and Honours
Trinity College Dublin Studentship Award
Desmond Guinness Scholarship
Thomas Damann Junior Memorial Award
Undergraduate Awards of Ireland, Gold Medal
Homan Potterton Prize
William Roberts Prize
Walker Memorial Prize
Memberships
Member of the Irish Architectural Archive company