Dantean Echoes
Dantean Echoes
Comparative Literature (M.Phil.) – Option
Co-ordinator: Igor Candido
Location: Phoenix House, 7-9 South Leinster Street, Room PX206.
Schedule: Tue 16:00-18:00
Recommended readings:
- Dante Alighieri, The Comedy (any English edition). [The best commentary in English is: Inferno-Purgatorio-Paradiso, translated by Robert and Jean Hollander, edited by Robert Hollander, New York: Doubleday 2002, 2004, 2007.]
- The Poets’ Dante. Twentieth-Century Responses, ed. by Peter S. Hawkins and Rachel Jacoff, New York: Farrar, Straus and Giroux, 2001 [858.1 DANg P16]
- John Freccero, In Dante's wake : reading from medieval to modern in the Augustinian tradition, edited by Danielle Callegari and Melissa Swain, New York: Fordham UP, 2015. [LEN 858.1 DANg R53]
Week 1
Introduction to the option module and Inferno – Igor Candido (all colleagues are most welcome)
Course objectives; bibliography. General introduction to Dante's Comedy. The Four Meanings of the Scripture. Dante and the Bible. The medieval literature of Vision.
Primary works: Any English translation of the poem. 10 cantos from the Inferno: 1, 2, 4, 5, 10, 13, 15, 19, 26, 33.
Secondary Works: R. Hollander, Dante. A Life in Works (New Haven and London, 2001), 90-148. [HB-64-162]; L. Pertile, Introduction to Inferno, in TheCambridge Companion to Dante, 2nd edition, ed. R. Jacoff (Cambridge: Cambridge UP, 2007), 67-90. [858.1 DANg N31*1]
Week 2
The Purgatorio – Igor Candido.
Readings from the second canticleof the Comedy.
Primary works: Any English translation of the poem. 10 cantos from the Purgatorio: 1, 2, 4, 5, 6, 11, 16, 24, 26, 30.
Secondary Works: J. Freccero, Manfred’s Wounds and the Poetics of Purgatorio, in his: Dante. The Poetics of Conversion, ed. by R. Jacoff (Cambridge, Mass.: Harvard UP, 1986), 195-208. [PL-155-264]
Week 3
The Paradiso – Igor Candido.
Readings from the third canticleof the Comedy.
Primary works: Any English translation of the poem. Paradiso: 1, 6, 11, 12, 17, 24, 29, 30, 31, 33.
Secondary Works: J. Freccero, Introduction to the Paradiso, in his: Dante. The Poetics of Conversion, ed. by R. Jacoff (Cambridge, Mass.: Harvard UP, 1986), 209-220. [PL-155-264]
Week 4
Dante and Chaucer – Brendan O’Connell.
Required Reading:
In advance of class, students are required to read Chaucer’s House of Fame in the translation provided, and should also read Purgatorio 9, making note of any points of comparison and contrast with Chaucer’s account of his flight with the eagle. Please also read the following:
- Carruthers, Mary, ‘Italy, Ars Memorativa and Fame’s House’, Studies in the Age of Chaucer 2 (1986): 179-80.
- Steinberg, Glenn A., ‘Chaucer in the Field of Cultural Production: Humanism, Dante, and the House of Fame’, Chaucer Review 35.2 (2000): 182-203.
Further Reading:
- Amtower, Laurel; ‘Authorizing the Reader in Chaucer’s House of Fame’, Philological Quarterly 79.3 (2000): 273-91.
- Bennett, J.A.W., Chaucer’s Book of Fame: An Exposition of ‘The House of Fame’ (Oxford: Clarendon Press, 1968).
- Boitani, Piero, Chaucer and the Imaginary World of Fame, Chaucer Studies 10 (Cambridge: D. S. Brewer, 1984). Important study of Fame in the Middle Ages.
- Boitani, Piero, ‘Old Books Brought to Life in Dreams: The Book of the Duchess, the House of Fame, the Parliament of Fowls’, in The Cambridge Companion to Chaucer, ed. by Piero Boitani and Jill Mann. 2nd edn (Cambridge: Cambridge University Press, 2003 [1986]), pp. 58-77.
- Carruthers, Mary, ‘The Poet as Master-Builder: Compositional and Locational Memory in the Middle Ages’, New Literary History 24.4 (1993): 881-904 (esp. pp. 881-6).
- Coley, David K., ‘“Withyn a temple ymad of glas”: Glazing, Glossing, and Patronage in Chaucer’s House of Fame’, Chaucer Review 45.1 (2010): 59-84.
- Cooper, Helen, ‘After Chaucer’, Studies in the Age of Chaucer 25 (2003): 3-24.
- Cooper, Helen, ‘The Four Last Things in Dante and Chaucer: Ugolino in the House of Rumour’, New Medieval Literatures 3 (1999): 39-66.
- Delany, Sheila, Chaucer’s ‘House of Fame’: The Poetics of Skeptical Fideism (Chicago: University of Chicago Press, 1972).
- Delany, Sheila, ‘Ars Simia Naturae and Chaucer’s House of Fame’, English Language Notes 11.1 (1973): 1-5.
- Delany, Sheila, ‘The Late Medieval Attack on Analogical Thought: Undoing Substantial Connection’, in Chaos and Form: History and Literature; Ideas and Relationships, ed by Kenneth McRobbie (Winnipeg: University of Manitoba Press, 1972), pp. 37-58. Originally published as ‘Undoing Substantial Connection: The Late Medieval Attack on Analogical Thought, Mosaic 5.4 (1972): 31-52.
- Fyler, John, Language and the Declining World in Chaucer, Dante, and Jean de Meun (Cambridge: Cambridge University Press, 2007).
- Fyler, John, Chaucer and Ovid (New Haven: Yale University Press, 1979).
- Havely, N. R., ‘Muses and Blacksmiths: Italian Trecento Poetics and the Reception of Dante in The House of Fame’, in Essays on Ricardian Literature in Honour of J. A. Burrow, ed. by A. J. Minnis, Charlotte C. Morse and Thorlac Turville-Petre (Oxford: Clarendon Press, 1997), pp. 61-81.
- Kiser, Lisa, ‘Eschatological Poetics in Chaucer’s House of Fame’, Modern Language Quarterly 49.2 (1988): 99-119.
- Lynch, Kathryn L., Chaucer’s Philosophical Visions (Woodbridge: D. S. Brewer, 2000).
- Minnis, Alastair, Oxford Guides to Chaucer: The Shorter Poems (Oxford: Oxford University Press, 1998).
- Ruggiers, Paul G., ‘The Unity of Chaucer’s House of Fame’, Studies in Philology 50 (1953): 16-29, reprt. in Chaucer: Modern Essays in Criticism, ed. by Edward Wagenknecht (Oxford: Oxford University Press, 1959), pp. 295-308.
Week 5
Underworlds in English – Eiléan Ní Chuilleanáin.
This session will begin with a discussion of the ways in which Dante’s critique of Papal power was taken up by the English Renaissance and Reformation. We will then discuss modes of imitation from Dante’s use of Virgil to Spenser’s and Milton’s use of Dante in imagining a variety of underworlds.
Reading:
- Aeneid iii, 19-68, Polydorus; Dante, Inferno xiii, 55-78, Pier delle Vigne; Spenser, Faerie Queene, I, ii, 28-45, Fradubio; Milton, Paradise Lost ii, 636-897, Guardians of Hell.
Further reading:
- Article, “Dante”, in The Spenser Encyclopedia, ed. A.C. Hamilton, London: Routledge, 2014.
- Jackson Campbell Boswell, Dante's fame in England : references in printed British books, 1477-1640, Newark : University of Delaware Press ; London : Associated University Presses, 1999
- J. E. Hankins, Source and Meaning in Spenser’s Allegory, Oxford : Clarendon, 1973, especially pp 60-74, on the meaning of ‘Silva’ in the commentaries on Virgil and Dante.
- George F. Butler, “Giants and Fallen Angels in Dante and Milton: the Commedia and the Gigantomachy in Paradise Lost”, in Modern Philology 95.3 Feb. 1998, 352-63.
- John Wooten, "From Purgatory to the Paradise of Fools: Dante, Ariosto, and Milton" in ELH 49.4 (1982): 741–5.
- Terence Cave, The Cornucopian Text, Oxford: Oxford University Press, 1985 – the first half of the book has an excellent account of the issues of translations and imitation in the intellectual life of the early Renaissance.
- Nicholas Havely, “Feeding the Flock with Wind”, in John Foxe at home and abroad, edited by David Loades, Aldershot, Hants, England; Burlington, VT : Ashgate,2004.
Week 6
Dante and Mandelstam - Justin Doherty
- Dante Alighieri, The Divine Comedy (any of the main translations)
- Osip Mandelstam, Conversation about Dante (also in The Poets’ Dante, pp. 40-93)
(for anyone who reads Russian: Осип Мандельштам, «Разговор о Данте» The main Russian translation of Dante is Данте Алигьиери, Божественнаякомедия, перевод М. Лозинского)
Reading: secondary
- Osip Mandelstam, The Moscow and Voronezh Notebooks: Poems 1930-1937, translated by Richard and Elizabeth McCane. Tarset: Bloodaxe, 2003
- Osip Mandelstam, The Complete Critical Prose and Letters, ed. Jane Gary Harris. Ardis: Ann Arbor, 1979
- Clare Cavanagh, Osip Mandelstam and the Modernist Creation of Tradition. Princeton N.J.: Princeton University Press, 1995 (see chapter 6, esp. pp. 210-14)
- Clarence Brown, Mandelstam. Cambridge: Cambridge University Press, 1973 (general introduction to Mandelstam’s life and work)
Week 7
STUDY WEEK -- NO CLASS. Students start thinking about their essays.
Week 8
Dante and Primo Levi –Eleonora Lima
Reading:
Primary works:
- Primo Levi, If This is a Man, translated Stuart Woolf. London: Penguin, 1979. [This and other editions available in TCD library: PB-140-744, PB- 21- 60, ZN 348.13, 175.e.71]
Secondary works:
- Jonathan Usher, “Primo Levi, the canon and Italian literature”, in Robert S.C. Gordon (ed.), The Cambridge Companion to Primo Levi. Cambridge: Cambridge University Press, 2007, pp. 171-188. [858.914 LEVg P7]
- Risa B. Sodi, A Dante of our time? Primo Levi and Auschwitz. New York: Peter Lang, 1990. [LEN 858.914 LEVg N0]
- Ian Thomson, “The genesis of If this is a man”, in Stanislao G. Pugliese (ed.), The Legacy of Primo Levi. New York: Palgrave Macmillan, 2005, pp 41-58. [858.914 LEVg P5]
Week 9
Dante and Beckett – Sam Slote
Reading:
Primary works:
- Samuel Beckett, “Dante and the Lobster”, in More Pricks Than Kicks, London: Chatto and Windus, 1934. [TCD Library: Ussher, Open Access HIB 828.912 BEC:5 G4]
- Jorge Luis Borges, "Beatrice's Last Smile" and "The Pitying Torturer" in Selected Non-Fictions: see The total library : non-fiction 1922-1986 / Jorge Luis Borges ; edited by Eliot Weinberger ; translated by Esther Allen, Suzanne Jill Levine and Eliot Weinberger. [TCD Library: Santry (use call slip or place request) HL-236-867.]
- Jorge Luis Borges, "Inferno I.32" in Collected Fictions [TCD Library:Santry (use call slip or place request) HL-220-204
Secondary Reading :
- Daniela Caselli, Beckett's Dantes: intertextuality in the fiction and criticism, Manchester University Press, 2005. [TCD Library: Ussher, Open Access 858.1 DANg P53]
Week 10
Dante and Philosophy – Brendan O’Byrne.
Reading:
Primary works:
- Dante: The Divine Comedy, any of the main translations should suffice.
- Dante [?] Epistle to Can Grande
- Plato Republic esp Bk II 376d 398b; VII
Secondary Works:
- Ricoeur, Paul. "Metaphor and the Main Problem of Hermeneutics." New Literary History 6 (1974): 95-110. also in A Ricoeur Reader: Reflection and Imagination , ed. Mario Valdés (Toronto: University of Toronto Press, 1991): p. 318.
- Martin Heidegger, Being and Time esp. Section V, 34 “Understanding and Interpretation”, pp. 188 - 195
- Robert Hollander, Allegory in Dante's Commedia, Princeton University Press: Princeton, N.J., 1969 [not available in TCD library; one copy in UCD]
- Robert Lamberton, Homer the Theologian: Neoplatonist Allegorical Reading and the Growth of the Epic Tradition (University of - California Press: Berkeley, & L.A., 1986). Especially Section VI E "The late Middle Ages and Dante”, pp. 282-297
- James Coulter, The Literary Microcosm: Theories of Interpretation of the Later Neoplatonists. Brill: Leiden, 1976 esp. chapter on the symbol.
Week 11
Modern Irish Poetic Echoes of Dante: Thomas Kinsella, Seamus Heaney, Ciaran Carson – Tom Walker
Primary Reading
- Thomas Kinsella, “Downstream” (1962) [pdf uploaded on blackboard].
- Seamus Heaney, “The Strand at Lough Beg” and “Ugolino” from Fieldwork (1979) and the sequence “Station Island” from Station Island (1984) – [All these poems are included in Opened Ground: Selected Poems 1966-1996, New York : Farrar, Straus and Giroux, 2000]
------, “Envies and Identifications: Dante and the Modern Poet”, Irish University Review 15.1 (Spring 1985) – [pdf uploaded on blackboard].
- Ciaran Carson, The Inferno of Dante Alighieri: A New Translation (2002), London : Granta, 2004.
Secondary Reading:
- Rui Carvalho Homem, Poetry and Translation in Northern Ireland: Dislocation in Contemporary Writing (Basingstoke: Palgrave Macmillan, 2009) – key discussions of Carson and Heaney
- Maria Cristina Fumagalli, The Flight of the Vernacular: Seamus Heaney, Derek Walcott and the Impress of Dante, Amsterdam: Rodopi, 2001.
- Andrew Fitzsimons, The Sea of Disappointment: Thomas Kinsella’s Pursuit of the Real, Dublin: University College of Dublin Press, 2008.
- Eric Griffiths and Matthew Reynolds, eds, Dante in English, London: Penguin Books, 2005. – introduction has some very astute passing remarks about Carson’s translation.
- Maurice Harmon, Thomas Kinsella: Designing for the Exact Needs, Dublin: Irish Academic Press, 2009.
- Nick Havely, Dante’s Reading Public: Readers and Texts, from the Fourteenth Century to the Present (Oxford: Oxford University Press, 2014) – some astute points on Carson in chp 8.
- Joseph Heininger, “Making a Dantean Poetic: Seamus Heaney's ‘Ugolino’”, New Hibernia Review 9.2 (Samhradh/Summer 2005)
- Brian John, Reading the Ground: The Poetry of Thomas Kinsella USA : Catholic University of America Press, 1997
- Elmer Kennedy Andrews, ed., Ciaran Carson: Critical Essays: Dublin : Four courts, 2009. – see Denman essay on Carson’s prosody in relation to Dante.
- Conor McCarthy, Seamus Heaney and Medieval Poetry, Boydell & Brewer 2008
- Bernard O’Donoghue, Seamus Heaney and the Language of Poetry, London: Routledge, 2017.
Week 12
Dante in popular culture – Cormac Ó Cuilleanáin.
Reading:
- S.S. Prawer, Comparative Literary Studies: an introduction, London: Duckworth, 1973 [Ussher, Open Access (ARTS 801 L36)]
- Philip Terry, Dante's Inferno, Manchester: Carcanet, 2014 [Santry Stacks (place request) (PB-363-752)]
- Aida Audeh and Nick Havenly (eds.), Dante in the long nineteenth century : nationality, identity, and appropriation, Oxford: Oxford University Press, 2012 [Ussher, Open Access (858.1 DANg R2]
- Cormac Ó Cuilleanáin, "Dante in the Zebra-Striped Hearse", in Roberto Bertoni (ed.), Dantean Echoes, Turin: Trauben, 2003 [Ussher, Lending (LEN 858.1 DANg P33) — also available online from TARA database]
- Amilcare Iannucci (ed.), Dante, Cinema and Television (Toronto: University of Toronto Press, 2004)
[Ussher, Open Access (858.1 DANg P42)]
- Dante Today – Citings & Sightings of Dante’s Works in Contemporary Culture
https://research.bowdoin.edu/blog/italian/dante-today-citings-sightings-of-dantes-works-in-contemporary-culture/
Wrap-up / students present their essay plans – Igor Candido (all colleagues are most welcome)